ABSTRACT
Each of the contributors addresses the theoretical questions by pursuing a definite artistic problem, including a close look at the relation between the image and the object in Hitchcock's Vertigo, the sexual aesthetics of Caravaggio, the artistic pen of Barthes, and how Cronenberg's film Crash functions as a sinthome.
TABLE OF CONTENTS
part |26 pages
The Opposition to Sublimation
part |74 pages
Sublimation and Art
part |80 pages
Art and the Sinthome