ABSTRACT

This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment.

part I|101 pages

The Context and Events of Beckett’s Psychotherapy with Bion

chapter One|17 pages

Presenting problems

chapter Two|16 pages

Proust as metapsychology

chapter Three|21 pages

The first year of treatment: 1934

chapter Four|15 pages

Year two: 1935

chapter Five|17 pages

Broadening the context of this psychotherapy

chapter Six|9 pages

Beckett’s Bion and Bion’s Bion

part II|120 pages

An Interpretative Construction of Beckett’s Literary Development and Bion’s Later Clinical Theories

chapter Seven|14 pages

Free association: Beckett’s private theatre

chapter Eight|16 pages

The novellas: Part One

chapter Nine|19 pages

The novellas: Part Two

chapter Ten|18 pages

Three essays on “the trilogy”

chapter Eleven|17 pages

The psychology of characters

chapter Twelve|10 pages

Reaching the limit of free association

chapter Thirteen|12 pages

Patient Zero: learning from the Beckett experience

chapter |10 pages

Conclusion