ABSTRACT
This book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation.
TABLE OF CONTENTS
part I|74 pages
Amusia
part II|63 pages
The Madness of Economic Realism
part III|75 pages
Screamadelica