ABSTRACT
In Unlikely Couples, Thomas E. Wartenberg directly challenges the view that narrative cinema inherently supports the dominant social interests by examining the way popular films about "unlikely couples" (a mismatched romantic union viewed as inappropriate due to its class, racial, or gender composition) explore, expose, and criticize societal attit
TABLE OF CONTENTS
part Part One|89 pages
Class
part Part Two|81 pages
Race
part Part Three|52 pages
Sexual Orientation