ABSTRACT

Whether a secularized morality, biblical worldview, or unstated set of mores, the Victorian period can and always will be distinguished from those before and after for its pervasive sense of the "proper way" of thinking, speaking, doing, and acting. Animals in literature taught Victorian children how to be behave. If you are a postmodern posthumanist, you might argue, "But the animals in literature did not write their own accounts." Animal characters may be the creations of writers’ imagination, but animals did and do exist in their own right, as did and do humans. The original essays in Animals and Their Children in Victorian explore the representation of animals in children’s literature by resisting an anthropomorphized perception of them. Instead of focusing on the domestication of animals, this book analyzes how animals in literature "civilize" children, teaching them how to get along with fellow creatures—both human and nonhuman.

chapter |11 pages

Introduction

Little Beasts on Tight Leashes

chapter 2|19 pages

Wanted Dead or Alive

Rabbits in Victorian Children’s Literature

chapter 3|16 pages

“In Friendly Chat with Bird or Beast … Mixing Together Things Grave and Gay”

Desireful Animals and Humans in Alice’s Adventures in Wonderland and Through the Looking-Glass

chapter 4|21 pages

A Brotherhood of Wolves

Loyalty in Yiddish and Anglo-Jewish Folktales

chapter 5|19 pages

Advocating for the Least of These

Empowering Children and Animals in The Band of Mercy Advocate

chapter 8|18 pages

Learning Masculinity

Education, Boyhood, and the Animal in Thomas Hughes’s Tom Brown’s School Days

chapter 9|20 pages

Unruly Females on the Farm

Domestic Animal Mothers and the Dismantling of the Species Hierarchy in Nineteenth-Century Literature for Children

chapter 10|16 pages

The Child Is Father of the Man

Lessons Animals Teach Children in George Eliot’s Writings

chapter 11|19 pages

Neither Brutes nor Beasts

Animals, Children, and Young Persons and/in the Brontës

chapter 13|20 pages

Imperial Pets

Monkey-Girls, Man-Cubs, and Dog-Faced Boys on Exhibition in Victorian Britain