ABSTRACT
This book examines cross-regional film collaboration within the Asia-Pacific region. Through a mixed methods approach of political economy, industry and market, as well as textual analysis, the book contributes to the understanding of the global fusion of cultural products and the reconfiguration of geographic, political, economic, and cultural relations. Issues covered include cultural globalization and Asian regionalization; identity, regionalism, and industry practices; and inter-Asian and transpacific co-production practices among the U.S.A., China, South Korea, Japan, India, Hong Kong, Taiwan, Argentina, Australia, and New Zealand.
TABLE OF CONTENTS
part |40 pages
Regionalization, Globalization, and Co-Production
part |76 pages
Film Industry, Collaboration, and Asian Geopolitics
chapter 4|18 pages
Post-2014 Chinese-Korean Film Co-Production
chapter 5|17 pages
Hindi Chini Bhai Bhai 1
chapter 6|17 pages
International Film Co-Productions as a New Harbor of Nationalistic Communication Amid Regional “Imagined Communities”
part |104 pages
Cultural Flows, Cultural Globalization, and the Asia-Pacific
chapter 7|22 pages
Is the China Party Over?
chapter 10|19 pages
Co-Producing with the Other Side of the World
chapter 11|20 pages
Connecting with China, Hollywood, and Film Festivals
part |72 pages
Aesthetics in Film Co-Production