ABSTRACT

The Routledge Companion to Music and Human Rights is a collection of case studies spanning a wide range of concerns about music and human rights in response to intensifying challenges to the well-being of individuals, peoples, and the planet. It brings forward the expertise of academic researchers, lawyers, human rights practitioners, and performing musicians who offer critical reflection on how their work might identify, inform, or advance mutual interests in their respective fields. The book is comprised of 28 chapters, interspersed with 23 ‘voices’ – portraits that focus on individuals’ intimate experiences with music in the defence or advancement of human rights – and explores the following four themes: 1) Fundamentals on music and human rights; 2) Music in pursuit of human rights; 3) Music as a means of violating human rights; 4) Human rights and music: intrinsic resonances.

chapter |10 pages

Introduction

part I|114 pages

Fundamentals on Human Rights and Music

chapter 1|15 pages

What Are Human Rights?

chapter 2|25 pages

Why Music and Human Rights? 1

chapter 4|10 pages

Music Education

Child Development and Human Rights

chapter 5|20 pages

Censorship of Music

chapter 6|14 pages

The Right to Let Culture Die

part II|198 pages

Music in Pursuit of Human Rights

chapter 9|21 pages

Girls Can Dance Xigubu, Too

An Embodied Response to Gender-Based Violence in Mozambique

chapter 10|22 pages

Reimagine

The Role of Popular Music in Overcoming Homophobia in Sub-Saharan Anglophone Africa 1

chapter 11|22 pages

Rock Nacional in Argentina

Resistance to Censorship and Cultural Repression During the Military Dictatorship (1976–1983)

chapter 13|18 pages

Reinvoking Gran Bwa (Great Forest)

Music, Environmental Justice, and a Vodou-Inspired Mission to Plant Trees Across Haiti 1

chapter 14|19 pages

Music and Human Rights

A Perspective from the Humanitarian Sector

chapter 16|17 pages

Claiming Human Rights in Iraq

Reflections on the Creation of a Musicians' Collective to Advance Freedom of Expression, Gender Equality, and Cultural Participation

chapter 17|15 pages

Music in Contexts of Incarceration

Perspectives From Javanese Gamelan Performance

part III|60 pages

Music as a Means of Violating Human Rights

chapter 21|17 pages

Weaponized Music

Schubert, Interrogation, and Memory in Dorfman's La muerte y la doncella

part IV|111 pages

Human Rights and Music

chapter 23|13 pages

The Sound of Human Rights

Wordless Music That Speaks for Humanity

chapter 24|18 pages

Adorno Revisited

Aesthetic Theory, Politics, and Human Rights

chapter 27|13 pages

Don't Just Sing About It

Choral Music in the Pursuit of Human Rights