ABSTRACT

Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice.

In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach twenty-first-century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West.

Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.

chapter |9 pages

Introduction

part 1|67 pages

Crisis as Tragedy and Judgment

chapter 1|14 pages

Tragedy and the Crisis of History

Staging Forced Displacement and Its Reluctant Hero

chapter 2|16 pages

Beyond Suffering or Resolution

Tragedy and the Twenty-First-Century Collective Experience

chapter 3|12 pages

Prophets Needed

Five Easy Pieces and La Reprise: Histoire(s) du Theatre (I) by Milo Rau

chapter Testimony 1.2|5 pages

Cards of Identities (Poetic Luxury)

part 2|60 pages

Texts and Contexts of Crisis

chapter 5|13 pages

Leaving the World Good or Leaving a Better World?

Theatre and Crisis Through the Lens of Bertolt Brecht

chapter 6|13 pages

Tragic and Post-Tragic Representations of Precarity in Twenty-First-Century U.S. Drama

Fractured Togetherness in Lynn Nottage's Sweat and Annie Baker's The Flick

chapter 7|18 pages

Modern African Drama in Crisis?

Two African Authors in Search of Identity

part 3|67 pages

Stage Narratives of Failure or Visions of a Better World? Bankrupt States, Violent Cities, Global Resistance, Civic Consciousness, and the Poetics of Participation

chapter 8|13 pages

"Theatre Remains Traditionalist and Eurocentric"

About Milo Rau's "Theatre of Crisis"

chapter 9|16 pages

"How Many More Thousands of Years?"

Dystopia, Otherness, and the Greek Crisis in the Work of Three Contemporary Greek Dramatists

chapter 10|14 pages

Theatre as Assembly

"Theatre Commons" Radical Dramaturgy 1

chapter 11|15 pages

Marca España

Making Theatre From Precarity, State Violence, and Fiesta

chapter Testimony 3.1|7 pages

Aoidoi of a Country's Living History

part 4|39 pages

Reflections on the Covid-19 Pandemic and the Crisis of the Anthropocene

chapter Testimony 4.1|7 pages

Theatre in Covid Times

A Report From Greece*

chapter Testimony 4.2|5 pages

All Is Related to Me

chapter Testimony 4.4|10 pages

Troy Too