ABSTRACT

Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design.

The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning.

Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.

Supplementary materials can be found on the companion website: www.soundformovingpictures.com

chapter 1|14 pages

Introduction

part 1|26 pages

Constructing the soundtrack

chapter 2|17 pages

Emotion in sound design

chapter 3|7 pages

Validating a new approach

part 2|78 pages

Deconstructing the soundtrack

chapter 4|29 pages

The Four Sound Areas

chapter 5|35 pages

Applying the Four Sound Areas

chapter 6|12 pages

Reflections on practice

part 3|18 pages

Communicating the soundtrack

chapter 7|11 pages

Adding to the lexicon

chapter 8|5 pages

Closing thoughts