ABSTRACT

Until recently, Anne Clifford has been known primarily for her Knole Diary, edited by Vita Sackville-West, which recounted her steadfast resistance to the most authoritative figures of her culture, including James I, as she insisted on her right to inherit her father's title and lands. Lucy Hutchinson was known primarily as the biographer of her husband, a Puritan leader during the English Civil Wars. The essays collected here examine not only these texts but, in Clifford's case, her architectural restorations and both the Great Book which she had compiled and the Great Picture which she commissioned, in order to explore the identity she fashioned for herself as a property owner, matriarchal head of her family, patron and historian. In Hutchinson's case, recent scholars have turned their attention to her poetry, her translation of Lucretius and her biblical epic, Order and Disorder, to analyze her contributions to early modern scientific and political writing and to place her work in relation to Milton's Paradise Lost.

part I|238 pages

Anne Clifford

chapter 1|20 pages

Anne Clifford as Orlando

Virginia Woolf’s Feminist Historiology and Women’s Biography

chapter 2|20 pages

Re-writing Patriarchy and Patronage

Margaret Clifford, Anne Clifford, and Aemilia Lanyer

chapter 3|24 pages

The Agency of the Split Subject

Lady Anne Clifford and the Uses of Reading

chapter 5|18 pages

Constructing an Identity in Prose, Plaster, and Paint

Lady Anne Clifford as Writer and Patron of the Arts

chapter 7|24 pages

Marginal Maternity

Reading Lady Anne Clifford’s A Mirror for Magistrates

chapter 9|24 pages

Knowing her Place

Anne Clifford and the Politics of Retreat

chapter 10|16 pages

Serial Identity

History, Gender and Form in the Diary Writing of Lady Anne Clifford

chapter 11|20 pages

Construction Sites

The Architecture of Anne Clifford’s Diaries

chapter II|262 pages

Lucy Hutchinson

chapter 17|28 pages

Lucy Hutchinson Writing Matter

chapter 21|32 pages

Lucy Hutchinson: A Life of Writing