ABSTRACT

Embodiment, Expertise, and Ethics in Early Modern Europe highlights the agency and intentionality of individuals and groups in the making of sensory knowledge from approximately 1500 to 1700. Focused case studies show how artisans, poets, writers, and theologians responded creatively to their environments, filtering the cultural resources at their disposal through the lenses of their own more immediate experiences and concerns. The result was not a single, unified sensory culture, but rather an entangling of micro-cultural dynamics playing out across an archipelago of contexts that dotted the early modern European world—one that saw profound transitions in ways people used sensory knowledge to claim ethical, intellectual, and practical authority.

chapter |16 pages

Introduction

Entangled senses: putting knowledge into practice in early modern Europe

chapter 1|30 pages

A web of sensation and the performance of memory

Dosso’s lamenting Apollo

chapter 2|24 pages

The poet and the ear

Aural figurations in sixteenth-century French poetry

chapter 3|29 pages

The artist David Joris (1501–1556)

The prophet of the renewed senses

chapter 4|32 pages

Abraham Scultetus and the god of paste

Ritual conflict and sensuous Calvinism in the Second German Reformation

chapter 5|22 pages

Shylock’s senses

Entangled phenomenologies of difference on early English stages

chapter 6|24 pages

Written on the body

Selves, communities, and the sense of pain in early modern England, 1600–1700

chapter 8|28 pages

“Rather back to Ceylon than to Swabia”

Global sensory experiences of Swabian artisans in the service of the Dutch East India Company (VOC)

chapter |20 pages

Afterword

A roundtable discussion—volume authors explore several key issues, established and emerging, in sensory history