ABSTRACT

The Routledge Companion to Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe. Such interrogation requires consideration of gender from multiple viewpoints, from scholars and artists at various points in their careers. This edited collection of 38 essays gathers the diverse perspectives of contributors from four continents, exploring the nuanced (and at times controversial) construct of gender as it relates to jazz music, in the past and present, in four parts:

  • Historical Perspectives
  • Identity and Culture
  • Society and Education
  • Policy and Advocacy

Acknowledging the art form’s troubled relationship with gender, contributors seek to define the construct to include all possible definitions—not only female and male—without binary limitations, contextualizing gender and jazz in both place and time. As gender identity becomes an increasingly important consideration in both education and scholarship, The Routledge Companion to Jazz and Gender provides a broad and inclusive resource of research for the academic community, addressing an urgent need to reconcile the construct of gender in jazz in all its forms.

part 1|140 pages

Historical Perspectives

chapter 2|17 pages

“I've Got the Haitian Blues”

Mamie Desdunes and the Gendered Inflections of the Common Wind

chapter 3|11 pages

Lil Hardin Armstrong and Helen Joyner

The Forgotten Patrons of Jazz

chapter 5|15 pages

Black Against the Stave

Black Modern Girls in British Interwar Jazz

chapter 6|12 pages

Trumpet Men

Performances of Masculinity in Jazz

chapter 7|11 pages

Hard Bop Cool Pose

Bebop, the Blues, and Masculinity in the Music of Lee Morgan

chapter 9|14 pages

The Girl in the Other Room

Generating New Open Knowledge for the Women of Jazz

chapter 10|12 pages

The Rise of Queermisia in Jazz

Medicalization, Legislation, and Its Effects

chapter 11|10 pages

Constructing a Diverse and Inclusive Jazz Tradition

A Uchronic Narrative

part 2|112 pages

Identity and Culture

chapter 12|13 pages

Playing the Part

A Social-Psychological Perspective on Being a Girl in Jazz

chapter 14|9 pages

A Clash of Identities

How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception

chapter 15|13 pages

“I'm Just One of Them”

Gender in Jazz Competitions

chapter 16|15 pages

Gendered Interventions in European Jazz Festival Programming

Keychanges, Stars, and Alternative Networks

chapter 17|13 pages

Resurrecting Masculinity

Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass

chapter 18|12 pages

Jazz Dance, Gender, and the Commodification of the Moving Body

Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms

chapter 19|13 pages

Women's Access to Professional Jazz

From Limiting Processes to Levers for Transgression

chapter 20|10 pages

“It Ain't Who You Are”

Authenticity, Sexuality, and Masculinity in Jazz

part 3|146 pages

Society and Education

chapter 21|10 pages

Oppression and Hope

Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History

chapter 22|13 pages

Picturing Women in Jazz

An Analysis of Three Jazz History Textbooks

chapter 23|12 pages

Degendering Jazz Guitar

Reimagining the Past—Realigning the Future

chapter 24|13 pages

“Music Saved My Life”

Jennifer Leitham on Life, Music, and Gender

chapter 25|19 pages

Can E-Flat Be Sexist?

Canonical Keys as Marginalizing Practice in Jazz

chapter 26|14 pages

Inclusive Jazz History Pedagogy

chapter 28|11 pages

Jazzwomen in Higher Education

Experiences, Attitudes, and Personality Traits

chapter 29|13 pages

The Gender Imperative in Jazz

The Role of Intercultural Maturity in Jazz Curricula

chapter 30|14 pages

In Her Own Words

Documenting the Current Realities of Women-in-Jazz

chapter 31|13 pages

Call and (Her) Response

Improvisation and The Myth of Absence

part 4|59 pages

Policy and Advocacy

chapter 32|11 pages

Victims No More

How Women and Non-Binary Musicians Are Collaborating for Gender Justice in Jazz

chapter 33|11 pages

Women in Jazz

A Failed Brand

chapter 35|13 pages

Breaking Down Barriers

Female Jazz Musicians in Spain

chapter 38|10 pages

Sheroes

The Role of All-Women Groups