ABSTRACT

'A systematic and engaging approach to creative writing' - Carla Harryman, Wayne State University

By suggesting that students who are not born poets can yet learn to become good ones, Smith performs a very important service.' - Professor Susan M. Schultz, University of Hawaii

This is an impressive book, because it covers areas of creative writing practice and theory that have not been covered in published form It links radical practice with radical (but better-known) theory, and will appeal to anyone looking for a different approach ' - Robert Sheppard, Edge Hill College of Higher Education, UK

The Writing Experiment demystifies the process of creative writing, showing that successful work does not arise from talent or inspiration alone. Hazel Smith breaks down writing into incremental stages, revealing processes that are often unconscious or unacknowledged, and shows how they can become part of a systematic writing strategy.

The book encourages writers to take an explorative and experimental approach to their work. It relates practical strategies for writing to major twentieth century literary and cultural movements, including postmodernism.

Suitable for both beginners and experienced writers, The Writing Experiment covers many genres including fiction, poetry, writing for performance and new media. Each chapter is illustrated with extensive examples of both student work and published writing, and challenging exercises offer writers at all levels opportunities to develop their skills.

part 1|129 pages

Introductory strategies

chapter Chapter One|24 pages

Playing with language, running with referents

chapter Chapter Two|21 pages

Genre as a moveable feast

chapter Chapter Three|17 pages

Working out with structures

chapter Chapter Four|19 pages

Writing as recycling

chapter Chapter Five|26 pages

Narrative, narratology, power

chapter Chapter Six|20 pages

Dialoguing

part II|146 pages

Advanced strategies

chapter Chapter Seven|23 pages

Postmodern f(r)ictions

chapter Chapter Eight|36 pages

Postmodern poetry, avant-garde poetics

chapter Chapter Nine|20 pages

The invert, the cross-dresser, the fictocritic

chapter Chapter Ten|25 pages

Tongues, talk and technologies

chapter Chapter Eleven|17 pages

New media travels

chapter Chapter Twelve|23 pages

Mapping worlds, moving cities