ABSTRACT
This anthology of essays aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.
The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections? How do we describe, analyze, and theorize these relationships? The first of two volumes, this book focuses on these questions in relation to long-established, traditional practices using puppets, devotional objects, and related items with sacred aspects to them or that perform ritual roles. Looking at performance traditions and artifacts from China, Indonesia, Korea, Mali, Brazil, Iran, Germany, and elsewhere, the essays from scholars and practitioners provide a range of useful models and critical vocabularies for addressing the ritual and spiritual aspects of puppet performance, further expanding the growing understanding and appreciation of puppetry generally.
This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives.
TABLE OF CONTENTS
part Section I|41 pages
Shamanic Lineages
chapter 3|7 pages
Sogo bò
chapter 4|6 pages
The Hula Ki'i, the Dance of the Sacred Image, Hawaiian Puppetry
part Section II|52 pages
Communal Celebrations
chapter 8|8 pages
“I Have Come to Do a Purification”
part Section III|50 pages
Powerful Players
chapter 12|7 pages
Exploring Spirituality in TholpavakoothuShadow Puppetry of Kerala
part Section IV|40 pages
Doctrinal Dialogues
chapter 13|13 pages
Islam, Animism, and Animation of Objects
chapter 14|13 pages
Saintly Puppet Masters and Sacred Clowning
part Section V|27 pages
Holding Heritage