ABSTRACT

This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world.

The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations.

The book will be of interest to scholars working in art history, art historiography and postcolonial studies.

chapter |12 pages

Introduction

part I|35 pages

Practicing Horizontal Art History

chapter 3|11 pages

Horizontality without Limits

Postcolonial and Postsocialist 1 Experience as Frameworks for Studying Art and Art History in Peripheries

part II|60 pages

Practicing Horizontal Art History

chapter 4|10 pages

About the West

chapter 5|12 pages

Close Other(s) in the West

Spain and Its Horizontal Histories during the Cold War

part III|60 pages

Challenging Horizontal Art History and Its Internal Contradictions

chapter 10|11 pages

Not Horizontal Enough

Horizontal Art History with Marxist Restrictions

chapter 11|11 pages

Cultural Backwardness and Economic Backwardness

How Can Horizontal Art History Tackle Socioeconomic Issues?

chapter 12|11 pages

Horizontal Art History

Endangered Species

part IV|49 pages

Alternatives to Horizontal Art History

chapter 14|11 pages

Allegories of Orientation

chapter 17|12 pages

Simultaneous Avant-Gardes and Horizontal Art Histories

Avant-Gardes Outside of the Canonic Narrations