ABSTRACT

This book explores the transformative power of comedy to help connect a wider audience to films that explore environmental concerns and issues.

This book offers a space in which to explore the complex ways environmental comedies present their eco-arguments. With an organizational structure that reveals the evolution of both eco-comedy films and theoretical approaches, this book project aims to fill a gap in ecocinema scholarship. It does so by exploring three sections arranged to highlight the breadth of eco-comedy: I. Comic Genres and the Green World: Pastoral, Anti-Pastoral, and Post-Pastoral Visions; II. Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption; and III. Environmental Nostalgia, Fuel, and the Carnivalesque. Examining everything from Hollywood classics, Oscar winners, and animation to independent and international films, Murray and Heumann exemplify how the use of comedy can expose and amplify environmental issues to a wider audience than more traditional ecocinema genres and can help provide a path towards positive action and change.

Ideal for students and scholars of film studies, ecocriticism, and environmental studies, especially those with a particular interest in ecocinema and/or ecocritical readings of popular films.

chapter |10 pages

Introduction

Film, Environment, Comedy: Eco-Comedies on the Big Screen, Defining Eco-Comedy

part I|50 pages

Comic Genres and the Green World

chapter 1|16 pages

The Green World and the Screwball Comedy

A Pastoral World of Play

chapter 2|16 pages

Turning Romance Green

Anti- and Post-Pastoral Approaches to Love in Gendered Comedies

part II|66 pages

Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption

part III|35 pages

Environmental Nostalgia, Fuel, and the Carnivalesque

chapter 9|16 pages

Disney and Pixar's Cars Franchise

Comic Environmental Nostalgia vs. Simulacra