ABSTRACT

The Experimental Book Object shows why and how books matter in the 21st century. Digital and audio platforms are commonplace, and other fields of art beyond literature have increasingly embraced books and publication as their medium of choice. Nevertheless, the manifold book object persists and continues to inspire various types of experimentation. This volume sets forth an unprecedented approach where literary and media theory are entangled with design practitioners’ artistic research and process descriptions. By probing the paradigm of the codex, this collection of essays focuses on historical and contemporary experimentation that has challenged what books are and could be from the perspectives of materiality, mediation, and visual and typographic design. Investigations into less-studied areas and cases of performativity demonstrate what experimental books do by interacting with their systemic and cultural environments. The volume offers a multifaceted and multidisciplinary view of the book object, the book design and publishing processes, and their significance in the digital age.

chapter |18 pages

Introduction: Opening Experimental Book Objects

The Heterogeneity of the Codex in the Twenty-First Century

part I|123 pages

Book Matters

chapter 1|15 pages

Olivier Deprez, Books and Company

chapter 3|14 pages

Performative Materiality of Book Inserts

The Case of S. and Personal Effects

chapter 4|18 pages

The Two-Layered Book and Storyworld, with Transgressions

Graham Rawle's Overland

chapter 5|20 pages

Literary Mutilation

Typographical and Material Abuse in Finnish Experimental Poetry and Book Art

chapter 6|20 pages

Punched Pages

Holes in Experimental Print Literature

part II|68 pages

Book Mediations

chapter 8|15 pages

Bound to Matter

Artists' Books and Illness Experience

chapter 9|16 pages

Looking Back to Now

Book as Technology of Remembering the Present in Jatkosota-extra by Jaakko Yli-Juonikas

chapter 10|19 pages

The Dispersed Self, the Database and Digital Biography

David Clark's 88 Constellations for Wittgenstein

chapter 11|16 pages

Performing E-bookness

Remediation and Meta-Mediality in the E-book Edition of Mark Z. Danielewski's The Fifty Year Sword

part III|102 pages

Book Designs

chapter 13|18 pages

Bookish Biomes

The Writing and Design of KUU, a Paper Ecosystem

chapter 14|19 pages

Body Text

Exploring Somatic Devices in the Design of Hybrid Books Fun Primavera and Yours

chapter 15|19 pages

Encountering Lace Narratives

Designing a Multimodal Book to Capture the Complexity of Practitioner-Research

chapter 16|18 pages

Papercuts

The Horizons of Minor Publishing

chapter 17|8 pages

Direct Objects

Critical Ways to “Think a Book”