ABSTRACT

Written by industry expert, R.J. Kizer, this is the first book to provide a comprehensive overview of post-sync dialogue replacement, popularly known as ADR. 

It explores how this seldom recognised, but essential, technology is used in motion pictures and in fictional narrative television programs, with many examples from past and recent movies to explain approaches and techniques. It is intended primarily as an intuitive book, allowing readers to develop their own interpretation of ADR application, with both historical and procedural background provided throughout. It identifies the many different procedures and mechanical systems invented and used to accomplish the task of ADR, some from as long ago as the early 1920s. The text also details the many different steps, tasks, and routines that must be followed to identify (spot), program, record, edit, and mix the ADR lines into the final sound track of a show. 

Intended for the sound professional, it is also suitable for students and entry-level editors wishing to master audio dialogue replacement. Film historians and theorists will also find it both informative and enlightening by illustrating the many avenues used to affect and manipulate the recorded spoken word in motion pictures.

chapter |10 pages

Introduction

Key Terms

chapter 1|16 pages

Beginning

chapter 2|24 pages

Spotting

chapter 3|31 pages

Cuing, Programming, and Line Counts

chapter 4|11 pages

Group ADR – Programming

chapter 5|12 pages

Conforming the Programming

chapter 6|13 pages

Scheduling and Preparation

chapter 7|10 pages

The ADR Stage

chapter 8|21 pages

The Principal ADR Session

chapter 9|18 pages

Remote Recording

chapter 10|11 pages

After Recording

chapter 11|9 pages

Group ADR (a/k/a Walla)

chapter 12|12 pages

The Group ADR Recording Session

chapter 13|23 pages

Cutting/Editing/Fitting/Building

chapter 14|5 pages

Group ADR – Cutting and Organizing

chapter 15|9 pages

Conforming, Fixing, Updating

chapter 17|10 pages

Finishing

chapter 18|8 pages

The ADR Controversy

Then, Now and the Future