ABSTRACT

The Politics of Pictures is a history of looking, from Aristotle to TV audiences, from the invention of photography to the meaning of picnics, from Leviathan to synchronised swimming, Dr Johnson to the sexualization of war. John Hartley's wide-ranging and sometimes bizarre journey of discovery looks for the public in the realm of media, where citizens are now literally represented on screen and page. The book investigates popular media reality by showing how pictures and texts are powerful political forces in their own right, using a variety of primary texts to explore the way publics have been created, and exploring the political uses of media audiences. The unconventional approach is designed to show how popular reality looks to itself, and how its peculiar forms and connections actually challenge some venerable political and philosophical truths.

chapter |11 pages

Public-ity (Introduction)

part I|104 pages

Public Pictures

chapter 1|13 pages

Popular Reality

A (hair)brush with cultural studies

chapter 2|14 pages

Agoraphilia

The politics of pictures

chapter 3|42 pages

No Picnic

For all flesh is as grass

chapter 4|33 pages

Power Viewing

A glance at pervasion in the postmodern perplex

part II|107 pages

The Pictures of Politics

chapter 5|21 pages

The Smiling Professions

From a sea monster to synchronized swimming

chapter 6|24 pages

Heliography

Journalism and the Visualization of truth

chapter 7|19 pages

Common Sense

Universal v. adversarial journalism

chapter 8|41 pages

Journalism in a Post-Truth Society

The sexualization of the body politic