ABSTRACT

Bazin's impact on film art, as theorist and critic, is considered to be greater than that of any single director, actor, or producer. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Bazin at Work is the first English collection of disparate Bazin writings since the appearance of the second volume of What Is Cinema? in 1971. It includes work from Cahiers le cinema (which he founded and which is the most influential single critical periodical in the history of the cinema) and Esprit. He addresses filmmakers including Rossellini, Eisenstein, Pagnol, and Capra and well-known films including La Strada, Citizen Kane, Scarface, and The Bridge on the River Kwai.

chapter 2|18 pages

The Myth of Stalin in the Soviet Cinema

chapter 3|12 pages

Adaptation, or the Cinema as Digest

chapter 4|8 pages

The Case of Marcel Pagnol

chapter 5|12 pages

Cinema and Theology

chapter 6|4 pages

The Life and Death of Superimposition

chapter 7|16 pages

Will CinemaScope Save the Film Industry?

chapter 8|8 pages

The Cybernetics of Andre Cayatte

part |2 pages

PART TWO • BAZIN O N INDIVIDUAL FILMS

chapter 9|6 pages

Farrebique, or the Paradox of Realism

chapter 11|8 pages

La Strada

chapter 12|4 pages

Germany, Year Zero

chapter 13|4 pages

Niagara

chapter 14|8 pages

Forbidden Games

chapter 15|4 pages

Europe ’51

chapter 17|8 pages

Cruel Naples (Gold o f Naples)

chapter 18|4 pages

Senso

chapter 19|4 pages

The Style Is the Genre (Les Diaboliques)

chapter 20|12 pages

M. Ripois, with or without Nemesis

chapter 21|6 pages

Two Cents'Worth o f Hope

chapter 22|2 pages

The Profound Originality of I Vitelloni

chapter 24|4 pages

The Road to Hope

chapter 25|8 pages

Battle o f the Rails and Ivan the Terrible

chapter 27|10 pages

A Bergsonian Film: The Picasso Mystery

chapter 30|10 pages

The Technique of Citizen Kane