ABSTRACT

First Published in 1994. This book contains, previously unpublished, full scores of major works from the Renaissance and Early Baroque; analysing Sixteenth-century Italy, where one of the greatest flowerings of instrumental music in Western culture occurred. The print on which this volume is based, the Sonate a quattro, sei, et otto of 1608, comprises the entirety of Gussago's extant instrumental opus.

chapter 1|5 pages

Sonata prima a 4, La Cornala

chapter 2|5 pages

Sonata seconda a 4, La Fontana

chapter 3|5 pages

Sonata terza a 4, La Faustinella

chapter 4|6 pages

Sonata quarta a 4, La Rizza

chapter 5|5 pages

Sonata quinta a 4, La Schilina

chapter 6|6 pages

Sonata sesta a 4, La Mallonia

chapter 7|9 pages

Sonata settima a 4, La Sguizzerotta

chapter 8|7 pages

Sonata ottava a 4, La Bottana

chapter 9|7 pages

Sonata nona a 4, La Zonta

chapter 10|7 pages

Sonata decima a 4, La Nicolina

chapter 11|11 pages

Sonata undecima a 6, La Marina

chapter 12|7 pages

Sonata duodecima a 6, L'Angioletta

chapter 13|9 pages

Sonata terzadecima a 6, La Badina

chapter 14|8 pages

Sonata quartadecima a 6, La Facca

chapter 15|22 pages

Sonata quintadecima a 8, L'Onofria

chapter 16|19 pages

Sonata sestadecima a 8, La Tonina

chapter 17|22 pages

Sonata decimasettima a 8, La Terza

chapter 18|24 pages

Sonata decimaottava a 8, La Porcelaga

chapter 19|24 pages

Sonata decimanona a 8, La Leona

chapter 20|26 pages

Sonata vigesima a 8, La Luzzara

chapter 21|23 pages

Anima mea liquefacta est a 8

chapter 22|20 pages

Fili ego Salomon a 8

chapter 23|20 pages

Ad te Domine levavi a 8

chapter 24|23 pages

Confitebor tibi Domine a 8

chapter 25|24 pages

Exultavit cor meum in Domino a 8

chapter 26|23 pages

Cantemus Domino a 8

chapter 27|25 pages

Salvum me fac Deus a 8

chapter 28|25 pages

Confitemini Domino a 8