ABSTRACT
The collection of essays in this volume offer an overview of Schubertian reception, interpretation and analysis. Part I surveys the issue of Schubert‘s alterity concentrating on his history and biography. Following on from the overarching dualities of Schubert explored in the first section, Part II focuses on interpretative strategies and hermeneutic positions. Part III assesses the diversity of theoretical approaches concerning Schubert‘s handling of harmony and tonality whereas the last two parts address the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.
TABLE OF CONTENTS
part I|1 pages
History and Biography
part II|1 pages
Reception and Interpretation
part III|1 pages
Harmony and Tonality
part IV|1 pages
Instrumental Music
part V|1 pages
Song