ABSTRACT

Cultural criminology has now emerged as a distinct theoretical perspective, and as a notable intellectual alternative to certain aspects of contemporary criminology. Cultural criminology attempts to theorize the interplay of cultural processes, media practices, and crime; the emotional and embodied dimensions of crime and victimization; the particular characteristics of crime within late modern/late capitalist culture; and the role of criminology itself in constructing the reality of crime. In this sense cultural criminology not only offers innovative theoretical models for making sense of crime, criminality, and crime control, but presents as well a critical theory of criminology as a field of study. This collection is designed to highlight each of these dimensions of cultural criminology - its theoretical foundations, its current theoretical trajectories, and its broader theoretical critiques-by presenting the best of cultural criminological work from the United States, Europe, Australia, and elsewhere.

part I|126 pages

Theoretical Foundations

chapter 2|18 pages

Moral Entrepreneurs

chapter 3|18 pages

Deviance and Moral Panics

chapter 5|10 pages

Introduction

part II|82 pages

Models of Inquiry and Critique

chapter 6|24 pages

Cultural Criminology

chapter 7|25 pages

Merton with energy, Katz with structure

The sociology of vindictiveness and the criminology of transgression

chapter 8|16 pages

Boredom, Crime and Criminology

chapter 9|14 pages

Reversing the Ethnographic Gaze

Experiments in Cultural Criminology

part III|76 pages

Crime, Media, and the Image

chapter 11|16 pages

The scene of the crime

Is there such a thing as ‘just looking’?

part IV|62 pages

Theorizing Crime and the City