ABSTRACT

In their new monograph, Gender and Short Fiction: Women's Tales in Contemporary Britain, Jorge Sacido-Romero and Laura M Lojo-Rodriguez explain why artistically ambitious women writers continue turning to the short story, a genre that has not yet attained the degree of literary prestige and social recognition the novel has had in the modern period. In this timely volume, the editors endorse the view that the genre still retains its potential as a vehicle for the expression of female experience alternative to and/or critical with dominant patriarchal ideology present at the very onset of the development of the modern British short story at the turn of the nineteenth century.

part I|24 pages

Theorising Gender and Short Fiction

part II|24 pages

In Carter’s Wake

chapter 3|24 pages

The Legacy of Angela Carter

Ethics and Authorial Performance in Contemporary Short Fiction by Women

chapter 4|19 pages

In the Company of Wolves

Women’s Fairy Tales after Carter

part III|19 pages

Body Politics

chapter 5|19 pages

Tales of Femininity and Sexuality

Competing Discourses and the Negotiation of Feminisms Today 1

chapter 6|21 pages

Genealogies of Women

Discourses on Mothering and Motherhood in the Short Fiction of Michèle Roberts

chapter 7|21 pages

“Oh Yes, Women Get Erect”

Dismantling Sexual Standards in Jeanette Winterson’s Short Fiction

part IV|24 pages

Voicing Differently

chapter 9|22 pages

What’s in an Echo?

Voice, Gender and Genre in Ali Smith’s Short Stories

chapter 10|24 pages

In a Different Voice

Janice Galloway’s Short Stories

chapter 11|18 pages

Speaking from Border Country

Colour as Fluid Identity Factor in the Short Stories of Jackie Kay

part V|20 pages

Narrating Life

chapter 12|20 pages

Stories Told and Untold

Re-gendering World War I through Centenary Narratives

chapter 14|21 pages

“Why Don’t You Have a Go at a Novel?”

Gender through Genre in Helen Simpson’s Stories

part VI|23 pages

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