ABSTRACT

The general aim of this volume is to investigate the nature of the relation between pictorial experience and aesthetic appreciation. In particular, it is concerned with the character and intimacy of this relationship: is there a mere causal connection between pictorial experience and aesthetic appreciation, or are the two relata constitutively associated with one another? The essays in the book’s first section investigate important conceptual issues related to the pictorial experience of paintings. In Section II, the essays discuss the notion of styles, techniques, agency, and facture, and also take into account the experience of photographic and cinematic pictures. The Pleasure of Pictures goes substantially beyond current debates in the philosophy of depiction to launch a new area of reflection in philosophical aesthetics.

chapter |18 pages

Introduction

Pictorial Experience and Aesthetic Appreciation: A Puzzling Relation

part I|53 pages

Appreciation of Artworks

chapter 1|15 pages

Seeing the Light

Aesthetic Experience and Understanding Pictures

chapter 2|16 pages

Pictures

Their Power in Practice

chapter 3|20 pages

It’s a Great Work but I Don’t Like It

On the Differences Between Aesthetic Evaluation and Appreciation

part II|126 pages

Pictorial Experience and Aesthetic Appreciation

part III|47 pages

Cinematic Appreciation

chapter 11|23 pages

Sculpting in Time

Temporally Inflected Experience of Cinema

chapter 12|22 pages

Why to Watch a Film Twice

part IV|56 pages

Aesthetic Appreciation, Agency and Facture