ABSTRACT

Victorian literature for audiences of all ages provides a broad foundation upon which to explore complex and evolving ideas about young people. In turn, this collection argues, contemporary works for young people that draw on Victorian literature and culture ultimately reflect our own disruptions and upheavals, particularly as they relate to child and adolescent readers and our experiences of them. The essays therein suggest that we struggle now, as the Victorians did then, to assert a cohesive understanding of young readers, and that this lack of cohesion is a result of or a parallel to the disruptions taking place on a larger (even global) scale.

chapter |17 pages

Introduction

chapter 1|20 pages

“The great change in human history”

The Recasting of the Fall of Man as the Crisis of Faith in His Dark Materials

chapter 2|17 pages

“What’s in the Empty Flat?”

Specular Identity and Authorship in Neil Gaiman’s Coraline

chapter 3|17 pages

In Space No One Can Hear You Cry

Late Victorian Adventure and Contemporary Boyhood in Disney’s Treasure Planet

chapter 4|16 pages

Are We Not (Wo)Men?

Gender and Animality in Contemporary Young Adult Retellings of H.G. Wells’s The Island of Dr. Moreau

chapter 5|16 pages

Steampunk Kim

The Neo-Victorian Cosmopolitan Child in Philip Reeve’s Larklight

chapter 10|17 pages

Growing Up Empowered by Jane

An Examination of Jane Eyre in Twenty-First-Century Children’s and Young Adult Literature

chapter 11|18 pages

Canon for the Cradle

Materiality and Commodity in Board Book Retellings of Victorian Novels

chapter 12|20 pages

Uptops and Sooties

Neo-Victorian Representations of Race and Class in Gail Carriger’s Finishing School Books

chapter |7 pages

Afterword

Reclaiming the Ghost in the Machine