ABSTRACT

Graphic novels (kurimchaek) are a major art form in North Korea, produced by agents of the regime to set out its vision in a range of important areas. This book provides an analysis of North Korean graphic novels, discussing the ideals they promote and the tensions within those ideals, and examining the reception of graphic novels in North Korea and by North Korean refugees in South Korea. Particular themes considered include the ideal family and how the regime promotes this; patriotism, and its conflict with class identities; and the portrayal of the Korean War – "The Fatherland Liberation War", as it is known in North Korea – and the subsequent, continuing stand-off. Overall, the book demonstrates the importance of graphic novels in North Korea as a tool for bringing up children and for promoting North Korean ideals. In addition, however, the book also shows that although the regime sees the imaginative power of graphic novels as a necessity for effective communication, graphic novels are also viewed with caution in that they exist in everyday social life in ways that the regime may be aware of, and seeks to control, but cannot dominate completely.

chapter |24 pages

Introduction

Seduction of the innocent? Kurimchaek as entertainment, education, harmful media, political propaganda and beyond

part I|91 pages

History, media and regime

chapter 2|28 pages

Post-1998 North Korean graphic novels

chapter 3|26 pages

Father, mother and son

One family, one nation, one medium

part II|132 pages

Seduction of the reader

chapter 6|28 pages

Sleepless in the DPRK

Graphic negotiations of ‘family’ in The True Identity of ‘Pear Blossom’

chapter 7|29 pages

Patriots behind enemy lines

Hyperreality and excess in graphic novels about war

part III|54 pages

Reading for the reader

chapter 8|25 pages

Reading for the North Korean reader I

Media framing of comics consumption in contemporary DPRK

chapter 9|25 pages

Reading for the North Korean reader II

Comics in children’s literature and refugee reminiscences

chapter |2 pages

Final panel: seduction of the innocent?