ABSTRACT

In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.

chapter |19 pages

Introduction: From Critical Cartography to Cartographic Abstraction

Rethinking the Production of Cartographic Viewing Through Contemporary Artworks

chapter 1|32 pages

Reconfiguring the View From Nowhere

Collage and Complicity in Targets by Joyce Kozloff

chapter 2|36 pages

The Drone’s Eye View

Networked Vision and Visibility in Works by James Bridle and Trevor Paglen

chapter 3|29 pages

Remote Viewing, Cartographic Abstraction and the Antipodes

Three Works by Layla Curtis

chapter 4|25 pages

Signification in the Soundscape

Bill Fontana’s River Sounding

chapter 5|24 pages

Cartographic Abstraction

A Material Modality of Thought and Experience