ABSTRACT

Experimental Animation: From Analogue to Digital, focuses on both experimental animation’s deep roots in the twentieth century, and its current position in the twenty-first century media landscape.

Each chapter incorporates a variety of theoretical lenses, including historical, materialist, phenomenological and scientific perspectives. Acknowledging that process is a fundamental operation underlining experimental practice, the book includes not only chapters by international academics, but also interviews with well-known experimental animation practitioners such as William Kentridge, Jodie Mack, Larry Cuba, Martha Colburn and Max Hattler. These interviews document both their creative process and thoughts about experimental animation’s ontology to give readers insight into contemporary practice.

Global in its scope, the book features and discusses lesser known practitioners and unique case studies, offering both undergraduate and graduate students a collection of valuable contributions to film and animation studies.

chapter |13 pages

Introduction

part |2 pages

Definitions, histories and legacies

chapter Chapter 1|20 pages

It is Alive if You Are

Defining experimental animation

part II|2 pages

Interviews A

chapter Chapter A1|2 pages

Georges Schwizgebel

chapter Chapter A2|4 pages

Rose Bond

chapter Chapter A3|2 pages

William Kentridge

chapter Chapter A4|4 pages

Robert Sowa

part III|2 pages

From analogue to digital

chapter Chapter 5|11 pages

‘Meticulously, Recklessly, Worked Upon’

Direct animation, the auratic and the index

chapter Chapter 7|19 pages

Beyond a Digital Écriture Féminine

Cyberfeminism and experimental computer animation

part IV|2 pages

Interviews B

chapter Chapter B1|5 pages

Jodie Mack

chapter Chapter B2|3 pages

Maya Yonesho

chapter Chapter B3|3 pages

Larry Cuba

chapter Chapter B4|3 pages

Max Hattler

part V|2 pages

Close analysis of individual artists

chapter Chapter 8|17 pages

A Hermeneutic of Polyvalence

Deciphering narrative in Lewis Klahr’s The Pettifogger (2011)

chapter Chapter 9|11 pages

How to be Human

The animations of Jim Trainor

part VI|2 pages

Interviews C

chapter Chapter C1|3 pages

Martha Colburn

chapter Chapter C2|3 pages

Masha Krasnova-Shabaeva

chapter Chapter C3|4 pages

Diego Akel

part VII|2 pages

Science and the cosmos

chapter Chapter 10|17 pages

Animating the Cosmological Horizon

Between art and science

chapter Chapter 11|18 pages

Where do Shapes Come From?

chapter Chapter 12|12 pages

NASA’s Voyager fly-by Animations

part VIII|2 pages

Interviews D

chapter Chapter D1|2 pages

Tianran Duan

chapter Chapter D2|4 pages

David Theobald

chapter Chapter D3|4 pages

Gregory Bennett