ABSTRACT

The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments.

It locates these features both historically—within dance in particular social and cultural contexts—and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging.

Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.

part I|59 pages

Dance and corporeality

chapter 1|11 pages

Dancing the Space

Butoh and Body Weather as training for ecological consciousness

chapter 3|11 pages

Different Bodies

A poetic study of dance and people with Parkinson’s

chapter 4|12 pages

Resourcing/Searching Dance Technique and Education

Developing a praxeological methodology

part II|69 pages

Dance and somatics

chapter 6|17 pages

Performing the Self

Dance, somatic practices, and Alexander Technique

chapter 7|21 pages

Moving Kinship

Between choreography, performance, and the more-than-human

chapter 8|16 pages

Moving as a Thought Process

The practice of choreography and stillness

chapter 9|13 pages

Moving Mind and Body

Language and writings of Simone Forti

part III|82 pages

Dance and analysis

chapter 10|16 pages

Choreomusicology and Dance Studies

From beginning to end?

chapter 11|20 pages

Choreosonic Wearables

Creative collaborative practices

chapter 12|14 pages

The Anarchive of Contemporary Dance

Toward a topographic understanding of choreography

part IV|62 pages

Dance, society and culture

part V|68 pages

Dance and time

chapter 20|13 pages

Traditional Dance in Urban Settings

‘Snapshots’ of Greek dance traditions in Athens

chapter 21|13 pages

Black Star, Other Fetishized

Carlos Acosta, ballet’s new cosmopolitanism, and desire in the age of institutional diversity

chapter 23|14 pages

Dance and Copyright

As time moves on

chapter 24|14 pages

Algorithmic Choreographies

Women whirling dervishes and dance heritage on YouTube

part VI|1 pages

Dance and scenography

chapter 25|12 pages

Dressing Dance–Dancing Dress

Lived experience of dress and its agency in the collaborative process

chapter 27|15 pages

Stacking the Spine

Interdisciplinary reflections from BackStories

chapter 28|15 pages

Longing for the Subaltern

Subaltern historiography as choreographic tactic

part VII|78 pages

Dance, space and place

chapter 29|15 pages

The Strangeness of Dancing

From The Changing Room and Singularity

chapter 30|15 pages

Everyday Life and Urban Marvels

The curious aesthetics of x-times people chair

chapter 32|16 pages

Re-Imagining Laban

Tradition, extinction, invention. Re-staging as creative contemporary practice

chapter 33|17 pages

“Dancing Through the Hard Stuff”

Repetition, resilience, and female solidarity in the landscape—Rosemary Lee’s Passage for Par