ABSTRACT

The Routledge Companion to Jazz Studies presents over forty articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquiry. Each chapter reflects on developments within jazz studies over the last twenty-five years, offering surveys and new insights into the major perspectives and approaches to jazz research. The collection provides an essential research resource for students, scholars, and enthusiasts, and will serve as the definitive survey of current jazz scholarship in the Anglophone world to-date. It extends the critical debates about jazz that were set in motion by formative texts in the 1990s, and sets the agenda for the future scholarship by focusing on key issues and providing a framework for new lines of enquiry. It is organized around six themes: I. Historical Perspectives, II. Methodologies, III. Core Issues and Topics, IV. Individuals, Collectives and Communities, V. Politics, Discourse and Ideology and VI. New Directions and Debates.

part I|73 pages

Historical Perspectives

chapter 1|13 pages

Wilkie’s Story

Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz

chapter 2|9 pages

Diasporic Jazz

chapter 3|10 pages

I Like to Recognize the Tune

Interrupting Jazz and Musical Theater Histories

chapter 4|8 pages

“That Ain’t No Creole, It’s A…!”

Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz

chapter 5|9 pages

Jazz Education

Historical and Critical Perspectives

chapter 6|9 pages

Swan Songs

Jazz, Death, and Famous Last Concerts

chapter 7|9 pages

Jazz on Radio

part II|75 pages

Methodologies

chapter 8|10 pages

After Wynton

Narrating Jazz in the Postneotraditional Era 1

chapter 9|10 pages

Jazz and the Material Turn

chapter 12|12 pages

“Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans”

Rethinking Jazz and Jazz Studies Through Jason Moran’s Multimedia Performance

chapter 14|11 pages

And Then I Don’t Feel So Bad

Jazz, Sentimentality, and Popular Song

part III|88 pages

Core Issues and Topics

chapter 15|10 pages

Space and Place in Jazz

chapter 16|9 pages

Time in Jazz

chapter 17|12 pages

Jazz and Disability

chapter 18|11 pages

Race in the New Jazz Studies

chapter 19|11 pages

The Vocalized Tone

chapter 20|11 pages

Jazz and the Recording Process

chapter 21|10 pages

Figuring Improvisation

part IV|74 pages

Individuals, Collectives, and Communities

chapter 24|10 pages

Sitting in and Subbing Out

The Gig Economy of 1960s New York

chapter 25|10 pages

George Lewis’s Voyager

chapter 26|10 pages

Quiet About It—Jazz in Japan

chapter 27|11 pages

Performing Improvisation

Bill Evans and Jean-Yves Thibaudet

chapter 28|10 pages

Bossa Nova and Beyond

The Jazz as Symbol of Brazilian-Ness

chapter 29|10 pages

Individuals, Collectives, and Communities

Festivals and Festivalization: The Shaping Influence of a Jazz Institution

part V|86 pages

Politics, Discourse, and Ideology

chapter 30|11 pages

The Birth of Jazz Diplomacy

American Jazz in Italy, 1945–1963

chapter 31|12 pages

Jazzing For a Better Future

South Africa and Beyond 1

chapter 32|8 pages

Eric Hobsbawm

chapter 34|9 pages

The Rhetoric of Jazz

chapter 35|10 pages

Unfinalizablea

Dialog and Self-Expression in Jazz

chapter 36|11 pages

Improvisation

What Is It Good for?

chapter 37|10 pages

Friends and Neighbors

Jazz and Everyday Aesthetics

part VI|75 pages

New Directions and Debates

chapter 38|9 pages

“The Reason I Play the Way I do Is”

Jazzmen, Emotion, and Creating in Jazz

chapter 40|9 pages

Renaissance or Afterlife?

Nostalgia in the New Jazz Films 1

chapter 41|9 pages

Comics as Criticism

Harvey Pekar, Jazz Writer

chapter 42|11 pages

Free Spirits

The Performativity of Free Improvisation

chapter 43|10 pages

My Jazz World

The Rise and Fall of a Digital Utopia

chapter 44|9 pages

Writing the Jazz Life