ABSTRACT

This book, first published in 1990, offers an in-depth analysis of the ‘fundamental beliefs’ of radio. This refers to the common understanding of what the radio enterprise is – and should be – about: entertainment and information. A major thrust of this book is to arrive at a set of fundamental beliefs about the values and the realities of the radio business in regard to entertainment programming – a set of beliefs that may or may not be right, or forever, but that might at least provide a basis for developing programming strategies. Most other books on radio programming describe the formats and programming that already exist. This one starts with a clean sheet of paper and the question ‘What do listeners really want from radio?’

chapter 1|6 pages

An Overview of the Book

part |2 pages

Part I Radio's Arena, Attributes, and Audiences

chapter 2|14 pages

Radio's Arena

chapter 3|11 pages

Radio's Attributes

chapter 4|21 pages

What Radio Audiences Want

part |2 pages

Part II Formats, Soundscapes, and Voices

chapter 5|25 pages

Format Structure and Management

chapter 6|12 pages

The Structure and Appeal of Acoustic Space

part |2 pages

Part III Music Programming

chapter 8|15 pages

The Appeals of Radio Music

chapter 9|14 pages

Music Moods Research

chapter 12|13 pages

Factors in MEMO−Mood-Evoking Music Order

chapter 13|5 pages

Toward MERIT