ABSTRACT

First published in 1985, this book examines how workers theatre movements intended their performances to be activist — perceiving art as a weapon of struggle and enlightenment — and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers’ Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which the parallel movements in the United States are also examined. A number of crucial texts are reprints as well as stage notes and glimpses of the dramaturgical controversies which accompanied them.

part |2 pages

Part 2 The Workers' Theatre Movement (1926-1935)

chapter |22 pages

Narrative

chapter |13 pages

Documents

chapter |35 pages

Scripts

part |2 pages

Part 3 The Yiddish-speaking WTM

chapter |7 pages

Narrative

chapter |9 pages

Documents

part |2 pages

Part 4 The debate on naturalism

chapter |16 pages

Documents

part |2 pages

Part 5 Proletkult: a view from the Plebs League

chapter |18 pages

Document

part |2 pages

Part 6 Some origins o f Theatre Workshop

chapter |52 pages

Narrative

part |2 pages

Part 7 The political stage in the United States

chapter |21 pages

History

chapter |21 pages

Documents

chapter |52 pages

Scripts