ABSTRACT

As with previous editions, the new Aesthetics: A Reader in Philosophy of the Arts uses classic and contemporary readings of leading philosophers of the arts. This Third Edition includes more than a dozen new essays either written or adapted especially for this volume. Containing more than 90 essays in total, the new edition offers generous choices for class readings, thus minimizing supplementary material needed for required assignments and independent research.

In keeping with earlier editions, the Third Edition is a large collection of essays, most comparatively brief and organized first by groupings of art forms and then by general essays about the arts. It attempts to keep pace with theorizing about those art forms not traditionally covered in most books on aesthetics, like the jazz, rock, comics, video games, and even the aesthetics of junkyards. There is, then, an emphasis on the popular and mass arts and everyday aesthetics, as well as on time-honored problems in philosophy of the arts. This edition, which contains contributions by both analytic and continental philosophers, expands upon offerings in non-Western art and aesthetics. Finally, although intended to keep pace with topics and issues currently debated, instructors and students will find, in a special section, key classic texts.

part |3 pages

Part I Painting

chapter |3 pages

Against Imitation

chapter |5 pages

The Limits of Likeness

chapter |1 pages

Reality Remade

chapter |1 pages

The Perfect Fake

chapter |3 pages

Artistic Crimes

chapter |3 pages

Form in Modern Painting

chapter |3 pages

A Formal Analysis

chapter |5 pages

On Modernist Painting

chapter |5 pages

Intentional Visual Interest

chapter |4 pages

Works of Art and Mere Real Things

chapter |5 pages

The Origin of the Work of Art

chapter |5 pages

Why Are There No Great Women Artists?

chapter |5 pages

The Paradox of Expression

chapter |5 pages

Painting and Ethics

chapter |6 pages

Art and Corruption

part |3 pages

Part II Photography and Film

chapter |6 pages

Transparent Pictures

chapter |5 pages

What’s Special About Photography?

chapter |2 pages

Allegory of the Cave

chapter |4 pages

The Power of Movies

chapter |2 pages

Audience, Actor, and Star

part |2 pages

Part III Architecture and the Third Dimension

chapter |4 pages

The Problem of Architecture

chapter |4 pages

Virtual Space

chapter |5 pages

Ornament and Crime

chapter |2 pages

Towards an Architecture

chapter |8 pages

Architecture as Decorated Shelter

chapter |8 pages

Nature and Art

part |3 pages

Part IV Music

chapter |3 pages

On the Concept of Music

chapter |5 pages

Ontology of Music

chapter |5 pages

Is Live Music Dead?

chapter |5 pages

The Expression of Emotion in Music

chapter |5 pages

Representation in Music

chapter |4 pages

Sound and Semblance

chapter |3 pages

African Music

chapter |4 pages

Jazz and Language

chapter |5 pages

A Topography of Musical Improvisation

part |2 pages

Part V Literature

chapter |4 pages

What Is Literature?

chapter |3 pages

The Poetic Expression of Emotion

chapter |5 pages

The Intention of the Author

chapter |6 pages

What Is an Author?

chapter |4 pages

Criticism as Retrieval

chapter |5 pages

Beneath Interpretation

chapter |4 pages

The Art of Writing

chapter |6 pages

How to Eat a Chinese Poem

chapter |5 pages

Imagination and Make-Believe

part |3 pages

Part VI Performance

chapter |7 pages

Ion

chapter |2 pages

On Tragedy

chapter |8 pages

The Birth of Tragedy

chapter |3 pages

On Oedipus Rex and Hamlet

chapter |4 pages

Virtual Powers

chapter |6 pages

What Is Going on in a Dance?

chapter |4 pages

Working and Dancing

chapter |7 pages

The Dance of Śiva

chapter |6 pages

Literature as a Performing Art

chapter |6 pages

The Art Work as Performance

part |4 pages

Part VII Popular Art and Everyday Aesthetics

chapter |6 pages

Plato and the Mass Media

chapter |6 pages

Adorno’s Case against Popular Music

chapter |5 pages

In Defense of Popular Arts

chapter |4 pages

Television and Aesthetics

chapter |3 pages

Kitsch

chapter |4 pages

The Aesthetics of Junkyards

chapter |5 pages

Can White People Sing the Blues?

chapter |5 pages

Jokes

chapter |5 pages

Defining Comics

chapter |6 pages

Ventriloquism

chapter |3 pages

Defining Mass Art

chapter |4 pages

Videogames, Interactivity, and Art

chapter |3 pages

Pornography

chapter |4 pages

The Real Harm of Pornography

part |2 pages

Part VIII Classic Sources

chapter |5 pages

Of the Standard of Taste

chapter |2 pages

The Sublime

chapter |4 pages

Judgments about the Beautiful

chapter |4 pages

The Philosophy of Fine Art

chapter |5 pages

Art as Experience

part |2 pages

Part IX Contemporary Sources

chapter |4 pages

Aesthetic Concepts

chapter |5 pages

Categories of Art

chapter |5 pages

The Role of Theory in Aesthetics

chapter |3 pages

Art as a Social Institution

chapter |6 pages

Feminism in Context

chapter |6 pages

A Different Plea for Disinterest

chapter |5 pages

Art and Natural Selection

chapter |4 pages

Contributors