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      From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman
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      Book

      From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman

      DOI link for From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman

      From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman book

      From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman

      DOI link for From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman

      From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman book

      ByStefano Corbo
      Edition 1st Edition
      First Published 2014
      eBook Published 19 April 2016
      Pub. Location London
      Imprint Routledge
      DOI https://doi.org/10.4324/9781315583341
      Pages 150
      eBook ISBN 9781315583341
      Subjects Built Environment
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      Corbo, S. (2014). From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman (1st ed.). Routledge. https://doi.org/10.4324/9781315583341

      ABSTRACT

      Peter Eisenman is one of the most controversial protagonists of the architectural scene, who is known as much for his theoretical essays as he is for his architecture. While much has been written about his built works and his philosophies, most books focus on one or the other aspect. By structuring this volume around the concept of form, Stefano Corbo links together Eisenman’s architecture with his theory. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman argues that form is the sphere of mediation between our body, our inner world and the exterior world and, as such, it enables connections to be made between philosophy and architecture. From the start of his career on, Eisenman has been deeply interested in the problem of form in architecture and has constantly challenged the classical concept of it. For him, form is not simply a cognitive tool that determines a physical structure, which discriminates all that is active from what is passive, what is inside from what is outside. He has always tried to connect his own work with the cultural manifestations of the time: firstly under the influence of Colin Rowe and his formalist studies; secondly, by re-interpreting Chomsky’s linguistic theories; in the 80’s, by collaborating with Derrida and his de-constructivist approach; more recently,by discovering Henri Bergson's idea of Time. These different moments underline different phases, different projects, different programmatic manifestos; and above all, an evolving notion of form. Taking a multi-disciplinary approach based on the intersections between architecture and philosophy, this book investigates all these definitions and, in doing so, provides new insights into and a deeper understanding of the complexity of Eisenman’s work.

      TABLE OF CONTENTS

      chapter |8 pages

      Introduction

      chapter 1|14 pages

      Basis

      chapter 2|16 pages

      Formal Terrorism

      chapter 3|14 pages

      Archaeology

      chapter 4|11 pages

      Deconstruction

      chapter 5|10 pages

      Arbitrariness

      chapter 6|12 pages

      Process

      chapter 7|15 pages

      Affect

      chapter 8|22 pages

      Oppositions

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