ABSTRACT

Winner of the IAJS award for best edited book of 2018!

The Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study.

The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed ‘post-cinema’ - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities.

The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung’s ideas to contemporary and popular culture.

chapter |4 pages

Introduction

Edited ByLuke Hockley

part I|108 pages

Theoretical approaches

chapter 1|19 pages

A Jungian textual terroir

chapter 2|12 pages

Dionysus and textuality

Hockley’s somatic cinema for a transdisciplinary film studies

chapter 3|14 pages

Stick to the image?

No thanks!

chapter 4|13 pages

Archetypal possibilities

Meta-representations, a critique of von Franz’s interpretation of fairy tale genre focusing on Jean Cocteau’s retelling of Beauty and the Beast

chapter 5|11 pages

Human Beans and the flight from otherness

Jungian constructions of gender in film

chapter 6|15 pages

It’s alive

The evolving archetypal image and Mary Shelley’s Frankenstein

chapter 7|11 pages

Music in film

Its functions as image

part II|90 pages

Applied approaches

chapter 9|13 pages

Feminist film criticism

Towards a Jungian approach

chapter 10|13 pages

Teaching Jung in the academy

The representation of comic book heroes on the big screen

chapter 11|10 pages

Horror and the sublime

Psychology, transcendence and the role of terror

chapter 12|12 pages

Hungry children and starving fathers

Auteurist notions of father hunger in American Beauty

chapter 15|17 pages

Film futuristics

A forecasting methodology

part III|88 pages

Transnational approaches

chapter 16|12 pages

The Australian lost child complex in adaptation

Kurzel’s Macbeth and Stone’s The Daughter

chapter 17|12 pages

Numinous images of a new ethic

A Jungian view of Kieslowski’s The Decalogue

chapter 18|13 pages

The han cultural complex

Embodied experiences of trauma in New Korean Cinema

chapter 21|14 pages

Cold comforts

Psychical and cultural schisms in The Bridge and Fortitude

chapter 22|14 pages

Cultural hegemonies of forms and representations

Russian fairy tale women and post-Jungian thought

part IV|62 pages

Clinical approaches

chapter 23|10 pages

Feeling film

Time, space and the third image

chapter 24|11 pages

Getting your own pain

A personal account of healing dissociation with help from the film War Horse

chapter 25|12 pages

Healing the holes in time

Film and the art of trauma

chapter 26|10 pages

Discovering the meaning of a film

chapter 27|17 pages

Under the Skin

Images as the language of the unconscious

part V|97 pages

Approaches post-cinema

chapter 28|16 pages

Beyond the second screen

Enantiodromia and the running-together of connected viewing

chapter 29|16 pages

Anima ludus

Analytical psychology, phenomenology and digital games

chapter 30|14 pages

Cinema without a cinema and film without film

The psychogeography of contemporary media consumption

chapter 31|17 pages

Digital media as textual theory

Audiovisual, pictorial and data analyses of Alien and Aliens

chapter 32|18 pages

A networked imagination

Myth-making in fan fiction’s story and soul

chapter 33|14 pages

The unlived lives of cinema

Post-cinematic doubling, imitation and supplementarity