ABSTRACT

Shakespeare and Commedia dell’Arte examines the ongoing influence of commedia dell’arte on Shakespeare’s plays.

Exploring the influence of commedia dell’arte improvisation, sight gags, and wordplay on the development of Shakespeare’s plays, Artemis Preeshl blends historical research with extensive practical experience to demonstrate how these techniques might be applied when producing some of Shakespeare's best-known works today. Each chapter focuses on a specific play, from A Midsummer Night’s Dream to The Winter’s Tale, drawing out elements of commedia dell’arte style in the playscripts and in contemporary performance.

Including contemporary directors’ notes and interviews with actors and audience members alongside Elizabethan reviews, criticism, and commentary, Shakespeare and Commedia dell’Arte presents an invaluable resource for scholars and students of Renaissance theatre.

chapter 2|31 pages

Italian and English comedies

chapter 3|12 pages

A Midsummer Night’s Dream

chapter 4|18 pages

The Comedy of Errors

chapter 5|22 pages

The Merchant of Venice

chapter 6|20 pages

The Two Gentlemen of Verona

chapter 7|15 pages

Twelfth Night

chapter 8|15 pages

The Taming of the Shrew

chapter 9|17 pages

All’s Well That Ends Well

chapter 10|12 pages

The Winter’s Tale

chapter 11|15 pages

Much Ado About Nothing

chapter 12|21 pages

Othello

chapter 13|19 pages

The Tempest

chapter |9 pages

Conclusion