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      The Gothic Novel and the Stage: Romantic Appropriations
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      Book

      The Gothic Novel and the Stage: Romantic Appropriations

      DOI link for The Gothic Novel and the Stage: Romantic Appropriations

      The Gothic Novel and the Stage: Romantic Appropriations book

      Romantic Appropriations

      The Gothic Novel and the Stage: Romantic Appropriations

      DOI link for The Gothic Novel and the Stage: Romantic Appropriations

      The Gothic Novel and the Stage: Romantic Appropriations book

      Romantic Appropriations
      ByFrancesca Saggini
      Edition 1st Edition
      First Published 2015
      eBook Published 4 August 2015
      Pub. Location London
      Imprint Routledge
      DOI https://doi.org/10.4324/9781315654584
      Pages 256
      eBook ISBN 9781315654584
      Subjects Language & Literature
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      Saggini, F. (2015). The Gothic Novel and the Stage: Romantic Appropriations: Romantic Appropriations (1st ed.). Routledge. https://doi.org/10.4324/9781315654584

      ABSTRACT

      In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.

      TABLE OF CONTENTS

      chapter |22 pages

      Introduction – The Transforming Muses: Theorizing Stage Appropriation

      part I|45 pages

      The Gothic Stage

      chapter 1|7 pages

      A Stage of Tears and Terror: Introducing the Gothic Stage

      chapter 2|6 pages

      Uncloseting the Gothic Monster

      chapter 3|20 pages

      An Overview of Critical Responses to English Gothic theatre

      chapter 4|5 pages

      A Chronology of Gothic Drama

      chapter 5|5 pages

      The Gothic Drama: A Survey of Criticism

      part II|83 pages

      Performing Stage Appropriation in the Romantic Era: The Languages of the Stage and the Page

      chapter 6|18 pages

      An Evening At The Theatre: Performance, Intertheatricality, Infratheatricality

      chapter 7|10 pages

      A Pathognomic Theatre: The Body of the Actor and Contemporary Theories of Acting

      chapter 8|39 pages

      Intersemiotic Translation and Appropriation: An Exploration of Sound, Scenery, Lighting and Costume in Gothic Dramas and Novels

      chapter 9|14 pages

      Surface Vs Depth: Staging The Signifiers of The Gothic

      part III|63 pages

      Practising the Appropriation of the Gothic Stage: Romantic Case Studies

      chapter 10|25 pages

      ‘To Ears of Flesh and Blood’: Ann Radcliffe's Stage Hauntings

      chapter 11|22 pages

      Change, Transformation, Spectacle: The Monk and the Forms of Georgian Scenic Spectacle

      chapter 12|15 pages

      On the Re-Mediation of Gothic Dramas: The Gothic Stage and The Gothic Trade

      chapter |2 pages

      Afterword

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