ABSTRACT

Even as the television industry experiences significant transformation and disruption in the face of streaming and online delivery, the television channel itself persists. If anything, the television channel landscape has become more complex to navigate as viewers can now choose between broadcast, cable, streaming, and premium services across a host of different platforms and devices. From Networks to Netflix provides an authoritative answer to that navigational need, helping students, instructors, and scholars understand these industrial changes through the lens of the channel. Through examination of emerging services like Hulu and Amazon Prime Video, investigation of YouTube channels and cable outlets like Freeform and Comedy Central, and critiques of broadcast giants like ABC and PBS, this book offers a concrete, tangible means of exploring the foundations of a changing industry.

part |22 pages

Introduction

chapter |10 pages

Pop

Television Guides and Recommendations in a Changing Channel Landscape

part |71 pages

Broadcast Stations and Networks

chapter |10 pages

ABC

Crisis, Risk, and the Logics of Change

chapter |9 pages

The CW

Media Conglomerates in Partnership

chapter |9 pages

Rede Globo

Global Expansions and Cross-Media Extensions in the Digital Era

chapter |11 pages

PBS

Crowdsourcing Culture Since 1969

chapter |10 pages

Alabama Public Television Network

Local Stations and Struggles Over Collective Identity

chapter |8 pages

DR

License Fees, Platform Neutrality, and Public Service Obligation

chapter |9 pages

MeTV

Old-Time TV’s Last Stand?

part |147 pages

Cable and Satellite Services

chapter |9 pages

WGN America

From Chicago to Cable’s Very Own

chapter |9 pages

ESPN

Live Sports, Documentary Prestige, and On-Demand Culture

chapter |10 pages

NBC Sports Network

Building Elite Audiences From Broadcast Rights

chapter |9 pages

The Weather Channel

Genre, Trust, and Unscripted Television in an Age of Apps

chapter |9 pages

TLC

Food, Fatness, and Spectacular Relatability

chapter |10 pages

MTV

#Prosocial Television

chapter |10 pages

A&E

From Art to Vice in the Managed Channel Portfolio

chapter |9 pages

Spike TV

The Impossibility of Television for Men

chapter |9 pages

Comedy Central

Transgressive Femininities and Reaffirmed Masculinities

chapter |9 pages

Nick Jr.

Co-viewing and the Limits of Dayparts

chapter |11 pages

Disney Junior

Imagining Industrial Intertextuality

chapter |9 pages

Disney XD

Boyhood and the Racial Politics of Market Segmentation

chapter |10 pages

Freeform

Shaking off the Family Brand within a Conglomerate Family

chapter |13 pages

El Rey

Latino Indie Auteur as Channel Identity

part |76 pages

Streaming Channels

chapter |10 pages

AwesomenessTV

Talent Management and Merchandising on Multi-channel Networks

chapter |9 pages

ISAtv

YouTube and the Branding of Asian America

chapter |9 pages

East India Comedy

Channeling the Public Sphere in Online Satire

chapter |11 pages

Twitter

Channels in the Stream

chapter |10 pages

Twitch.tv

Tele-visualizing the Arcade

chapter |11 pages

BBC Three

Youth Television and Platform Neutral Public Service Broadcasting

chapter |10 pages

Open TV

The Development Process

part |89 pages

Premium Television

chapter |11 pages

Netflix

Streaming Channel Brands as Global Meaning Systems

chapter |9 pages

Hulu

Geoblocking National TV in an On-Demand Era

chapter |11 pages

iQiyi

China’s Internet Tigers Take Television

chapter |10 pages

Amazon Prime Video

Where Information Is Entertainment

chapter |9 pages

Playboy TV

Contradictions, Confusion, and Post-network Pornography

chapter |10 pages

Starz

Distinction, Value, and Fandom in Non-linear Premium TV

chapter |9 pages

WWE Network

The Disruption of Over-the-Top Distribution

chapter |13 pages

CBS All Access

To Boldly Franchise Where No One Has Subscribed Before