ABSTRACT
Recent years have witnessed the remarkable development of the cultural and creative industries (CCIs) in Asia, from the global popularity of the Japanese games and anime industries, to Korea’s film and pop music successes. While CCIs in these Asian cultural powerhouses aspire to become key players in the global cultural economy, Southeast Asian countries such as Malaysia and Thailand are eager to make a strong mark in the region’s cultural landscape.
As the first handbook on CCIs in Asia, this book provides readers with a contextualized understanding of the conditions and operation of Asian CCIs. Both internationalising and de-Westernising our knowledge of CCIs, it offers a comprehensive contribution to the field from academics, practitioners and activists alike. Covering 12 different societies in Asia from Japan and China to Thailand, Indonesia and India, the themes include:
- State policy in shaping CCIs
- Cultural production inside and outside of institutional frameworks
- Circulation of CCIs products and consumer culture
- Cultural activism and independent culture
- Cultural heritage as an industry.
Presenting a detailed set of case studies, this book will be an essential companion for researchers and students in the field of cultural policy, cultural and creative industries, media and cultural studies, and Asian studies in general.
TABLE OF CONTENTS
part I|16 pages
State policies
chapter 4|15 pages
The artrepreneurial ecosystem in Singapore
chapter 5|18 pages
Challenges in developing the cultural and creative industries (CCIs) of Taiwan
chapter 6|14 pages
Creative industries with Chinese characteristics
chapter 7|16 pages
Probing the cultural turn in Shanghai, Hong Kong, and Taipei
part II|16 pages
Producers and production
chapter 9|16 pages
Brain drain or brain gain?
chapter 13|12 pages
Having played with swords
chapter 14|15 pages
South Korea’s creative industry markets
part III|14 pages
Consumption and circulation
chapter 15|14 pages
Sell your loneliness
chapter 19|10 pages
The roles of international art fairs in Hong Kong in facilitating the production and consumption of contemporary art in Asia
part IV|13 pages
Cultural activism, diversity, and independent culture
chapter 21|12 pages
Young, creative, and independent
chapter 22|11 pages
The collaborative DIY approach to creativepreneurship
part V|15 pages
Heritage and the cultural market