ABSTRACT

In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today’s music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully.

The textbook integrates three areas of concentration—music theory and composition, audio engineering, and music business—allowing students to understand and practice how to successfully navigate each stage of a score’s life cycle from concept to contract. Students will learn how to:

  • Translate musical ideas into scores utilizing music theory and composition techniques
  • Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing
  • Market works to prospective clients

The textbook assumes no prior knowledge of music theory or audio topics, and its modular organization allows instructors to use the book flexibly. Exercises at the end of each chapter provide practice with key skills, and a companion website supports the book with video walkthroughs, streaming audio, a glossary, and printable exercise pages.

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

chapter

Introduction

The Contemporary Commercial Composer and the Digital Audio Workstation

part I|183 pages

Fundamentals of Music and Audio

part IA|111 pages

Fundamentals of Music

chapter 1|22 pages

Introduction to Pitch

chapter 2|26 pages

Introduction to Rhythm

chapter 3|38 pages

Introduction to Harmony

chapter 4|23 pages

Melody and Counterpoint

part IB|69 pages

Fundamentals of Audio Engineering and Sequencing

chapter 5|15 pages

Introduction to Audio and MIDI

chapter 6|18 pages

Manipulating Rhythm in the DAW Environment

chapter 7|17 pages

Introduction to Acoustics

chapter 8|17 pages

Melodic Sequencing

part II|200 pages

Music Production Essentials

part IIA|127 pages

Composition Essentials

chapter 9|34 pages

Functional Diatonic Harmony

chapter 10|32 pages

Expanding Your Harmonic Vocabulary

chapter 11|30 pages

Form and Development

chapter 12|29 pages

Basic Orchestration

part IIB|70 pages

Audio Engineering Essentials

chapter 13|19 pages

Introduction to Mixing

chapter 14|20 pages

Recording and Editing Live Instruments

chapter 15|19 pages

Mixing and Processing

chapter 16|10 pages

Final Mix Considerations

part III|33 pages

Producing Music for Media

chapter 17|5 pages

The Client/Composer Relationship

chapter 18|8 pages

Scoring for Short-Form Media

chapter 19|18 pages

Scoring for Longer-Form Media

part IV|7 pages

The Business of Music Composition

chapter 20|5 pages

The Business of Music Composition