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      Creative Listening and the Psychoanalytic Process
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      Book

      Creative Listening and the Psychoanalytic Process

      DOI link for Creative Listening and the Psychoanalytic Process

      Creative Listening and the Psychoanalytic Process book

      Sensibility, engagement and envisioning

      Creative Listening and the Psychoanalytic Process

      DOI link for Creative Listening and the Psychoanalytic Process

      Creative Listening and the Psychoanalytic Process book

      Sensibility, engagement and envisioning
      ByFred L. Griffin
      Edition 1st Edition
      First Published 2016
      eBook Published 16 May 2016
      Pub. Location London
      Imprint Routledge
      DOI https://doi.org/10.4324/9781315712369
      Pages 208
      eBook ISBN 9781315712369
      Subjects Behavioral Sciences
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      Griffin, F.L. (2016). Creative Listening and the Psychoanalytic Process: Sensibility, engagement and envisioning (1st ed.). Routledge. https://doi.org/10.4324/9781315712369

      ABSTRACT

      Contemporary psychoanalytic thinking about the interdependence of subjectivity and intersubjectivity has reenvisioned the analytic process, and with it the very nature of creative and engaged psychoanalytic listening. Yet few systematic writings on psychoanalytic listening or technique provide comprehensive instruction that would prepare the analyst for the kind of analytic listening needed to participate imaginatively in this sort of intersubjective experience.Offering a short course in analytic listening, Creative Listening and the Psychoanalytic Process provides a guide for the clinical uses of imaginative literature.

      Outside the psychoanalytic literature, extraordinary pieces of imaginative literature exist that provide the kind of experience in analytic listening that can guide clinicians in their work with patients. Certain works of fiction create textured, sensory worlds in which complex characters possessing shifting states of consciousness live within fluid emotional atmospheres. In this book, Fred Griffin demonstrates that by entering the worlds that original writers create in their texts, the psychoanalytic therapist will learn to attend more closely to varying emotional states that generate nuanced, multidimensional views of the analysand’s internal and relational worlds. He illustrates how these works capture more fully the sensory experience encountered by psychoanalysts when taking in what the patient communicates within the analytic space.

      Creative Listening and the Psychoanalytic Process presents case material alongside selected passages from works of fiction written by a range of creative writers, each of which stimulates analytic sensibility about this clinical experience. A conceptual framework is provided that makes these and other original works of fiction more accessible for these purposes. This book will be essential reading for psychoanalysts and psychoanalytic psychotherapists, as well as professors and graduate students studying psychoanalysis and literature. It will also appeal to literary scholars and those teaching and practicing in the field of narrative medicine.

      TABLE OF CONTENTS

      part I|51 pages

      Part I

      chapter 1|12 pages

      Introduction

      Acts of psychoanalytic listening

      chapter 2|14 pages

      Restoring the analytic space

      Clinical conversations between psychoanalysis and imaginative literature

      chapter 3|23 pages

      Listening to oneself

      One form of self-analysis

      part II|65 pages

      Part II

      chapter 4|6 pages

      The clinical material of To the Lighthouse

      chapter 5|27 pages

      Listening for atmospheres of emotional experience

      chapter 6|30 pages

      Embodied analytic listening

      part III|70 pages

      Part III

      chapter 7|26 pages

      Relistening

      Listening for and to inarticulate experience—What she was trying to say

      chapter 8|28 pages

      After-listening

      In search of lost time in psychological space

      chapter 9|14 pages

      Listening for traces left behind

      Constructing Ernest Jones
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