ABSTRACT

On Not Looking: The Paradox of Contemporary Visual Culture focuses on the image, and our relationship to it, as a site of "not looking." The collection demonstrates that even though we live in an image-saturated culture, many images do not look at what they claim, viewers often do not look at the images, and in other cases, we are encouraged by the context of exhibition not to look at images. Contributors discuss an array of images—photographs, films, videos, press images, digital images, paintings, sculptures, and drawings—from everyday life, museums and galleries, and institutional contexts such as the press and political arena. The themes discussed include: politics of institutional exhibition and perception of images; censored, repressed, and banned images; transformations to practices of not looking as a result of new media interventions; images in history and memory; not looking at images of bodies and cultures on the margins; responses to images of trauma; and embodied vision.

chapter |40 pages

Introduction

part I|59 pages

Images that Don't Look

chapter 1|20 pages

Not Looking into the Abyss

The Potentiality to See

chapter 2|14 pages

The Rest Is Noise

On Lossless

chapter 3|23 pages

The Men in the Bathroom

Reflections on William E. Jones's Tearoom

part II|36 pages

The Privilege of the Other Senses

chapter 4|20 pages

Peripatetic Sculpture

The Exhaustion of Looking in the Presence of Richard Serra's Promenade

chapter 5|14 pages

Burrowing under the Apparent

The Blindfold Drawings of Claude Heath

part III|71 pages

Not Looking at Bodies and Cultures on the Margins

chapter 6|25 pages

©Amouflage

chapter 7|21 pages

The Horizon to Come

Planetary Aesthetics in William Kentridge's Felix in Exile and Galileo Galilei's Moon Drawings

chapter 8|23 pages

Between Looking and Not Looking

Race, Spectacular Scenes, and Counter-Spectacular Effects in Paul Pfeiffer's Long Count Series

part IV|56 pages

Institutions Overpower Images

chapter 9|18 pages

Looking at the West Looking Away

Khmer Rouge, Western Blindness, and Documentary Images

chapter 10|22 pages

The “Coffin,” the Camera, and the Commodity

Visualizing American Military Dead at Dover

chapter 11|14 pages

Lessons from the Life of an Image

Malcolm Browne's Photograph of Thich Quang Duc's Self-Immolation