These studies take stage history as a means of knowing the play. Half of the studies deal with casting - doubling, chorus and the crowd, the star of Hamlet and Measure for Measure. Then the transformations of dramatis personae are analyzed and The Tempest is viewed through the changing relationships of Prospero, Ariel and Caliban. Some of Shakespeare’s most original strategies for audience control are studied, such as Cordelia's asides in King Lear, Richard II’s subversive laughter and the scenic alternation of pleasure and duty in Henry IV. Performance is the realization of identity. The book draws on major productions up to 1992, just before the book was originally published.

chapter 1|14 pages

Hamlet's Doubles

chapter 2|12 pages

Doubling: Theory and Practice

chapter 3|14 pages

Casting the Chorus

chapter 5|9 pages

Casting Hamlet: Two Traditions

chapter 8|9 pages

Metamorphoses of the Audience

chapter 9|13 pages

Dramatis Personae

chapter 10|7 pages

Measure for Measure: Casting the Star

chapter 12|14 pages

Falstaff's Space: The Tavern as Pastoral