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      Herspace
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      Herspace

      DOI link for Herspace

      Herspace book

      Women, Writing, and Solitude

      Herspace

      DOI link for Herspace

      Herspace book

      Women, Writing, and Solitude
      ByJ Dianne Garner, Victoria Boynton, Jo Malin
      Edition 1st Edition
      First Published 2003
      eBook Published 8 January 2014
      Pub. Location New York
      Imprint Routledge
      DOI https://doi.org/10.4324/9781315785943
      Pages 308
      eBook ISBN 9781315785943
      Subjects Area Studies, Language & Literature, Social Sciences
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      Garner, J.D., Boynton, V., & Malin, J. (2003). Herspace: Women, Writing, and Solitude (1st ed.). Routledge. https://doi.org/10.4324/9781315785943

      ABSTRACT

      This collection delves deeply into the power of solitude in a richly detailed exploration of the lives of women writers!

      The essays in this fascinating volume combine literary theory, autobiography, performance, and criticism, while opening minds and expanding concepts of women's roles both in the home and within academia along the way. Herspace: Women, Writing, and Solitude begins with a discussion of the importance of solitude to the works of a variety of writers, including Margaret Atwood, May Sarton, Virginia Woolf, Marguerite Duras, and Zora Neale Hurston, and then moves on to an examination of the actual solitary spaces of women writers. The book concludes with the stories of modern women asserting their right to a space of their own. These essays, full of pain and new growth, lessons learned and battles fought, resound with the honesty and courage the authors have found in the process of truly making their own homes.

      Herspace examines:

      • the stereotyped spinster
      • solitude as a process and a journey
      • women's prison literature
      • cars, empty nests, kitchen counters, and other found spaces for writing
      • the meaning of a home of one's own
      • creating beauty in solitary settings
      Contributors to Herspace have made a conscious effort to integrate the personal with the academic, and the result is a volume of surprising intimacy, a window into the world of women writers past and present actively engaging solitude. From finding and defining the muse to the identity issues of home ownership, Herspace, which includes Jan Wellington's essay “What to Make of Missing Children (A Life Slipping into Fiction),” (winner of the 2003 NCTE Donald Murray Prize for “the best creative essay about teaching and/or writing published during the preceding year”) provides you with the perspectives of women who are living these issues.

      As the editors write: “The solitary space itself enables the writing process, protects it. And women, more than men, need this enabling protection. Women need to claim their own space, to bargain and plan and keep out of sight that solitary space in which to commune with their thoughts and feelings, to experience their creative process intimately.” Herspace explores these women's experiences, revealing the unique creativity that comes from solitude.

      TABLE OF CONTENTS

      chapter |18 pages

      Introduction

      part |2 pages

      Section I: Women Theorizing Herpace—Solite and Writing

      chapter 1|18 pages

      Women Alone: The Spinster’s Art

      chapter 2|34 pages

      With Sure and Uncertain Footing: Negotiating the Terrain of a Solitude in May Sarton’s Journals

      chapter 3|22 pages

      Unknown Women: Secular Solitude in the Works of Alice Koller and May Sarton

      chapter 4|10 pages

      A Veritable Guest to Her Own Self

      chapter 5|18 pages

      Woolf, Hurston, and the House of Self

      chapter 6|20 pages

      The Domestic Politics of Marguerite Duras

      part |4 pages

      Section II: Women’s Writting Spaces—Solitude and the Creative Process

      chapter 7|18 pages

      Writing Women, Solitary Space, and the Ideology of Domesticity

      chapter 8|14 pages

      Car, Kitchen, Canyon: Mother Writing

      chapter 9|22 pages

      Between the Study and the Living Room: Writing Alone and with Others

      part |4 pages

      Section III: Women Writing Herpace—Personal Takes on Home

      chapter 10|26 pages

      What to Make of Missing Children (A Life Slipping into Fiction)

      chapter 11|8 pages

      The Little Gray House and Me

      chapter 12|6 pages

      The Colors and the Light

      chapter 13|16 pages

      A Woman’s Place

      chapter 14|14 pages

      Reframing My Life

      chapter 15|8 pages

      An &/or Peace Performance

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