ABSTRACT

Popular film as a medium of communication, expression and storytelling has proved one of the most durable and fascinating cultural forms to emerge during the twentieth century, and has long been the object of debate, discussion and interpretation. Film After Jung provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience.

This book includes:

  • an introduction to film scholarship
  • discussions of key Jungian concepts
  • Post-Jungian film studies beyond film.

It also considers the potential for post-Jungian contributions to film studies, and the ways in which these can help to enrich the lives of those undergoing clinical analysis.

Film After Jung encourages students of film and psychology to explore the insights and experiences of everyday life that film has to offer by applying Post-Jungian concepts to film, image construction, narrative, and issues in cultural theory. It will enhance the film student’s knowledge of film engagement as well as introducing the Jungian analyst to previously unexplored traditions in film theory.

chapter |7 pages

Introduction

‘The Image and the Material'

part I|86 pages

Film theory: A critical historiography

chapter 1|15 pages

Film matters, but how, and why?

chapter 3|24 pages

Film and audience, a ‘felt' relation

The politics of cine-subjectivity

chapter 4|22 pages

The film as political

Phenomenology and the material world of the film

part II|102 pages

Applying key Jungian concepts in film theory

chapter 5|28 pages

Refitting the notion of the gaze

The ‘I' that sees and the ‘eye’ that is seen

chapter 6|26 pages

Contrasexuality and identification

Difference, sameness and gender in film

chapter 8|22 pages

Synchronicity and space-time transgression in film and video

Case studies in time sculpture and capture