ABSTRACT

 We rarely speak or even write in the complete sentences that are often held to be the ideal form of linguistic communication. Language is, in fact, full of gaps, because speakers and writers operate in contexts which allow bits of language to be understood rather than expressed. This book systematically analyses this inherent gappiness of language, known as ellipsis, and provides an account of the different contexts, both linguistic and situational, which affect its use. Peter Wilson draws on a wide variety of examples of spoken and written English, and both literary and non-literary to present a comprehensive classification of elliptical language that ranges from the conversational fragment and the advertisement to the dialogue of Shakespeare and imagist poetry.  Mind the Gap shows how ellipsis is a feature of major structural and stylistic importance to our understanding of spoken and written language, and will be of interest to undergraduate students of linguistics, literature, communication and the interrelations between them..

chapter |3 pages

Introduction

part |110 pages

The Forms of Ellipsis

chapter |15 pages

What is Ellipsis?

chapter |16 pages

What isn't Ellipsis

chapter |17 pages

The Linguistic Context

chapter |14 pages

The Situational Context

chapter |16 pages

Telegraphic Ellipsis

chapter |19 pages

Coordination Reduction

chapter |11 pages

The Rough Guide to Gaps

part |114 pages

The Stylistic Effects of Ellipsis

chapter |19 pages

Style and Stylistics

chapter |13 pages

Speech Styles and Ellipsis

chapter |14 pages

Sports Commentary

chapter |15 pages

Dramatizing Dialogue

chapter |16 pages

The Conative Turn

chapter |3 pages

Conclusion