ABSTRACT

In First Things Mary Jacobus combines close readings with theoretical concerns in an examination of the many forms taken by the mythic or phantasmic mother in literary, psychoanalytic and artistic representations.

She carefully explores the ways in which the maternal imaginary informs both unconscious processes and signifying practices at all levels. Her fierce analysis of specific texts and paintings raises questions about the the symbolic and biological maternal body and how they relate to each other in literary and psychoanalytic terms. The invocation of writings by Kleist, Wollstonecraft, Mary Shelley, Malthus and de Sade, along with analysis of French revolutionary iconography and Realist and Impressionist paintings by Eakins and Morisot, make this wide-ranging text a truly interdisciplinary study.

First Things sees literary theory and psychoanalysis as mutually illuminating practices. The work of Freud, Klein, Kristeva and Bion shape an inquiry into such topics as population discourse, surrogate motherhood, AIDS, mastectomy and psychoanalysis itself. In addition, Jacobus elaborates on Freud's oedipal preconceptions, Klein's missing theory of signs, memory, melancholia, narcissism and maternal reverie.

part I

Preconceptions

chapter 1|22 pages

Freud’s Mnemonic

Screen Memories and Feminist Nostalgia

chapter 2|20 pages

In Parenthesis

Immaculate Conceptions and Feminine Desire

chapter 3|17 pages

Russian Tactics

Freud’s “Case of Homosexuality in a Woman”

part II|65 pages

Melancholy Figures

chapter 4|20 pages

In Love with a Cold Climate

Travelling with Wollstonecraft

chapter 6|21 pages

Replacing the Race of Mothers

AIDS and The Last Man

part III|78 pages

The Origin of Signs

chapter 7|24 pages

“Tea Daddy”

Poor Mrs. Klein and the Pencil Shavings

chapter 8|20 pages

“’Cos of the Horse”

The Origin of Questions

chapter 9|32 pages

Portrait of the Artist as a Young Dog

part IV|91 pages

Theory at the Breast

chapter 10|24 pages

Incorruptible Milk

Breast-feeding and the French Revolution

chapter 11|37 pages

Baring the Breast

Mastectomy and the Surgical Analogy

chapter 12|27 pages

Narcissa’s Gaze

Berthe Morisot and the Filial Mirror