ABSTRACT

Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world confronts enormous challenges, and almost all of our thinking, debating and decision-making takes place under endless ceiling grids. Quantitative research establishes that spaces with taller ceilings elicit broader, more creative thoughts. Today, ceilings are usually squat conduits of technology: they have become the blind spot of modern architecture. The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit. Not just one building element among many, the ceiling is a key to unlock the architectural imagination.

Ceilings and Dreams aims to correct this blind spot and encourages architects and designers, researchers and students, to look up through writings organized into three expansive categories: reveries, suspensions and inversions. The contributors contemplate the architecture of levity and the potential of the ceiling, once again, as a place for dreaming.

chapter 1|13 pages

From below upwards

An introduction to Ceilings and Dreams

part |68 pages

Reverie

chapter 2|9 pages

Cloud nine

A lover’s guide

chapter 3|11 pages

From the Igluvigaq to the Sila

Ceilings in the Inuit imagination

chapter 4|10 pages

Hagia Sophia’s dome

A mythopoeic dreamspace

chapter 5|11 pages

Dreaming the body

Filarete’s disegno

chapter 6|12 pages

Eleven angels in the ceiling of flames

Architectural speculations in the Ducal Library of Urbino

chapter 7|11 pages

Nightmares of broken ceilings

The shell, the god and the mold

part |72 pages

Suspense

chapter 8|11 pages

Perplexing ceiling structures

Dreaming the details of the broken beam in the Chongming Temple

chapter 9|11 pages

The plafond as a place of transmutation

Architecture of levity in the eighteenth century

chapter 10|11 pages

Storywork

Henry Chapman Mercer’s cast-in-place tile vaults and the invention of practice

chapter 11|12 pages

Ceilings of infinite extension

Konrad Wachsmann’s mediating “overhead”

chapter 12|13 pages

Under-standing counter-ceilings

The multiverse of gazing and listening in the ambiances by Carlo Scarpa and Luigi Nono

chapter 13|13 pages

Cracked but not broken

Material and culture of the glass ceiling

part |92 pages

Inversion

chapter 15|15 pages

Dreaming the fourth dimension

László Moholy-Nagy’s inversions

chapter 16|13 pages

Life, Superceiling

chapter 17|15 pages

Three ghosts and a baldachin

Boredom and (day)dreaming in two drawings by Saul Steinberg

chapter 18|10 pages

A theater of architectural monsters

chapter 19|12 pages

The architect inside out

Reading the barrel-vaulted ceiling of Balkrishna Doshi’s studio – Sangath

chapter 20|12 pages

Looking down to look up