ABSTRACT

Directing: Film Techniques and Aesthetics is a comprehensive exploration into the art and craft of directing for film and television. It’s filled with practical advice, essential technical information, and inspiring case studies for every stage of production. This book covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film, and concentrates on developing the human aspects of cinema to connect with audiences.

The fully revised and updated 6th edition features new sections on using improvisation, the development of characters for long form television series, visual design, the role of the digital imaging technician, film promotion and distribution, alongside expanded information on contemporary color grading tools, stylistic approaches and genre, workflows, blocking scenes for the camera and more. The book emphasizes independent and short form cinema which allows cutting-edge creativity and professionalism on shoestring budgets. Recognizing that you learn best by doing, it includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills.

Just as important as surmounting technological hurdles is the conceptual and authorial side of filmmaking. This book provides an unusually clear view of the artistic process, particularly in working with actors and principle crew members. It offers eminently practical tools and exercises to help you develop your artistic identity, find credible and compelling stories, choose and work with your cast and hone your narrative skills. Directing shows you how to surpass mere technical proficiency and become a storyteller with a distinctive voice and style.

The accompanying companion website includes film analysis exercises, shooting projects, checklists and assignment forms, analytical questionnaires, updated production forms and logs for all phases of a project with links to additional resources and set safety advice.

chapter |5 pages

Introduction

part 1|31 pages

The Director and Artistic Identity

chapter Chapter 1|16 pages

The World of the Film Director

chapter Chapter 2|13 pages

Developing as a Director

part 2|45 pages

The Story and Its Development

chapter Chapter 3|9 pages

Essential Elements of Drama

chapter Chapter 4|14 pages

Shaping the Story into Drama

chapter Chapter 5|19 pages

Plot, Time, and Structure

part 3|48 pages

The Director and the Script

chapter Chapter 6|6 pages

Screenplay Ground Rules

chapter Chapter 7|15 pages

Recognizing the Superior Screenplay

chapter Chapter 8|24 pages

Script Analysis and Development

part 4|37 pages

Authorship and Aesthetics

chapter Chapter 9|12 pages

Cinematic Point of View

chapter Chapter 10|12 pages

Form and Style

chapter Chapter 11|11 pages

Tone, Style, and Genre

part 5|58 pages

A Director’s Screen Grammar

chapter Chapter 12|8 pages

Film Language

chapter Chapter 13|10 pages

The Frame and the Shot

chapter Chapter 14|9 pages

The Moving Camera

chapter Chapter 15|20 pages

Language of the Edit

chapter Chapter 16|8 pages

The Human Vantage in Cinema Language

part 6|145 pages

Preproduction

chapter Chapter 17|11 pages

Exploring the Script

chapter Chapter 18|17 pages

Casting

chapter Chapter 19|10 pages

Acting Fundamentals

chapter Chapter 20|11 pages

Directing Actors

chapter Chapter 21|16 pages

Rehearsals

chapter Chapter 22|21 pages

Acting Exercises

chapter Chapter 23|12 pages

Planning the Visual Design

chapter Chapter 24|20 pages

Developing the Shooting Script

chapter Chapter 25|21 pages

Line Producing and Logistics

part 7|88 pages

Production

chapter Chapter 26|20 pages

Developing a Production Crew

chapter Chapter 27|32 pages

The Director and Production Tech

chapter Chapter 28|13 pages

On Set: Production Begins

chapter Chapter 29|11 pages

Directing on the Set

chapter Chapter 30|8 pages

Monitoring Continuity and Progress

part 8|73 pages

Postproduction

chapter Chapter 31|6 pages

Postproduction Overview

chapter Chapter 32|10 pages

Editing Begins: Getting to Know the Footage

chapter Chapter 33|17 pages

The Rough Cut

chapter Chapter 34|6 pages

Getting to Fine Cut and Picture Lock

chapter Chapter 35|9 pages

Working with Music

chapter Chapter 36|14 pages

The Finishing Touches

chapter Chapter 37|7 pages

Getting it Out There

chapter |9 pages

Filmography